Thursday, November 5, 2009

Muslim Protesters threaten bloodshed over Hindu temple


SHAH ALAM, Aug 28 — A group of Malay-Muslim protesters claiming to be residents of Section 23 have threatened bloodshed unless the state government stopped the construction of a Hindu Temple.

Amid chants of "Allahuakbar," the group also left the severed head of a cow at the entrance of the State Secretariat here as a warning to Selangor Mentri Besar Tan Sri Khalid Ibrahim.


The group making their way to the Selangor secretariat building after their prayers. - Picture by Choo Choy May

The "residents" said that the construction of a Hindu temple in a 90 per cent Malay- Muslim neighbourhood was insensitive because activities there would disrupt their lives.

They claimed that the "noise" from the temple would disturb their own praying, and that they would not be able to function properly as Muslims.

The group of 50 over protestors marched shortly after Friday prayers from the Shah Alam State mosque to the State Secretariat.

“I challenge YB Khalid, YB Rodziah and Xavier Jeyakumar to go on with the temple construction. I guarantee bloodshed and racial tension will happen if this goes on, and the state will be held responsible,” shouted Ibrahim Haji Sabri amid strong chants of “Allahu Akbar!”

Ibrahim identified himself as the Deputy Chairman of the Resident’s Committee against the building of the temple in S23 here, which is perceived by some as being a Muslim majority area.

He told the press that the state should move the temple to Section 22 as ‘originally planned’, and also labelled Khalid a “traitor to the Malay race and Islam”.

It is understood that the protest is an immediate reaction towards the Selangor MB’s visit to the Hindu temple site yesterday, an act seen by the "residents" as disrespectful to the Muslims of the community.


Mohd. Zurit Bin Ramli, who claims to be the secretary of the "Coalition of Malaysian NGOs" echoed Ibrahim’s stand on the matter, saying that it was irresponsible on the part of the state government to approve the construction as there was apparently a “90 per cent” majority Muslim population in Section 23.

“With a temple on our residential area, we cannot function properly as Muslims. The temple will disrupt our daily activities like prayers in the Surau. We cannot concentrate with the sounds coming from the temple,” stated Zurit.

When asked whether members of the protest were affiliated with any organisations or movements, Ibrahim claimed that the people present today were members of PAS, PKR as well as Umno who are “united in the name of Islam and the Malay spirit.”

The state government was also accused of lying to the people of Selangor.

The Chairman of the Residents Committee, Mahyuddin Manaf excitedly proclaimed that the committee would uncover “the lies” and find proof of the state’s misconduct.

“Khalid Ibrahim wears a mask of a Muslim, but in truth he is a liberal. PAS stands to lose out as a result. I voted for PAS as well as Khalid in the past elections,” Mahyuddin claimed.

The issue first cropped up when the Selangor government proposed that the Sri Mariamman temple be relocated from Section 19 to Section 23.

Tuesday, November 3, 2009

Lingashtakam


Text One
brahma muraari suraarchita lingam
nirmala bhashita shobhita lingam
janmaja dukha vinaashaka lingam
tat pranamaami sadaa shiva lingam


I bow before that Sada Shiva Linga, which is adored by Brahma, Vishnu and other Gods, which is praised by pure and holy speeches and which destroys the cycle of births and deaths.

Text Two

devamuni pravaraarchita lingam
kaamadaham karunaakara lingam
raavana darpa vinaashaka lingam
tat pranamaami sada shiva lingam
 
I bow before that Sada Shiva Linga, which is the destroyer of desires, which the Devas and the sages worship, which is infinitely compassionate and which subdued the pride of Raavana.

Text Three

sarva sugandha sulepitha lingam
buddhi vivardhana kaarana lingam
siddha suraasura vanditha lingam
tat pranamaami sadaa shiva lingam 
 
I bow before that Sada Shiva Linga, which is lavishly smeared with variegated perfumes and scents, which elevates the power of thought and enkindles the light of discrimination, and before which the Siddhas and Suras and Asuras prostrate.

Text Four

kanaka mahaamani bhushitha lingam
phanipathi veshtitha shobhitha lingam
daksha suyajna vinaashaka lingam
tat pranamaami sadaa shiva lingam 
 
I bow before that Sada Shiva Linga, the destroyer of Dakshas sacrifice, which is decorated with various ornaments, studded with different gems and rubies and which glows with the garland of the serpent Lord coiled around it.

Text Five

kumkuma chandana lepitha lingam
pankaja haara sushobhitha lingam
sanchitha paapa vinaashaka lingam
tat pranamaami sadaa shiva lingam 


I bow before that Sada Shiva Linga, which is smeared with saffron and sandal paste, which is decorated with lotus garlands and which wipes out all accumulated sins.

Text Six

devaganaarchitha sevitha lingam
bhaavair bhakti bhirevacha lingam
dinakara koti prabhakara lingam
tat pranamaami sadaa shiva lingam


I bow before that Sada Shiva Linga which is worshipped by the multitude of Gods with genuine thoughts full of faith and devotion and whose splendor is like that of a million suns.

Text Seven

ashta dalopari veshtitha lingam
sarva samudbhava kaarana lingam
ashta daridra vinaashaka lingam
tat pranamaami sadaa shiva lingam 


I bow before that Sada Shiva Linga, destroyer of all poverty and misery in its eight aspects, which is the cause of all creation and which stands on the eight petalled Lotus.

Text Eight

suraguru suravara pujitha lingam
suravana pushpa sadaarchitha lingam
paraatparam paramatmaka lingam
tat pranamaami sadaa shiva lingam 


I bow before that Sada Shiva Linga which is the Transcendent Being and the Supreme Self, worshipped by all Suras and their preceptor (Brhaspathi), with innumerable flowers from the celestial gardens.


Text Nine

lingashtakamidam punyam
ya:pathaet sivasannidau .
sivalokamavapnoti sivena saha modatae. 


Whoever recites these eight slokas, in praise of the Shivalinga with the presence of Lord Shiva, attains that Supreme abode of Shiva and enjoys everlasting bliss with Him.

Lord Shiva



Lord Shiva or Siva is considered as the destroyer of the world. Shiva is one of the most popular gods of the Hindu religion. Lord Siva forms the part of the Trimurti (Trinity), the other being Brahma, the creator and Vishnu, the preserver. Shiva is known for the complexity of his nature, representing contradictory qualities. He is the destroyer and the restorer, the great ascetic and the symbol of sensuality, the kind herdsman of souls and a wrathful avenger.

Lord Shiva- The Role

Lord Shiva represents the vital goodness in the form of Satyam, Shivam, Sundaram i.e.; Truth, Goodness and Beauty .Lord Shiva performs a celestial role of dissolution and recreation of the universe, that's why; he is mostly associated with the words, like destroyer and destruction. The role of Shiva is often confused with these terms and the difficulty arises, when the significance of his celestial role is not understood.

The conception is clear itself by a slight balance between the opposing forces of good and evil. When this balance gets disturbed and continuation of life becomes unfeasible, Lord Shiva dissolves the universe. This is known as '' pralay '' and it is done in order to create another cycle .So that the unliberated souls will get another opportunity to liberate themselves from the bondage of the material world. To put succinctly, Siva protects the souls from pain and suffering that is generated by the unhealthy universe.

Shiva - The Giver

Lord Shiva is known as the ''giver god'', lord of mercy and kindness. He always protects his devotees from evil forces like lust, greed and anger. He is the most kind -hearted God who grants boons and bestows grace to his devotees.

Shiva - The Image

Lord Shiva has the unclad body covered with ashes symbolizing the transcendental aspect of the universe. Siva's three matted locks represent the integration of the mental, physical and spiritual energies. The crescent moon becomes the part of lord's ornament symbolizing the time cycle through which creation evolves from the beginning to the end. The three eyes of Lord Shiva suggest: the Sun is his right eye, the Moon is the left eye and fire, the third eye.


The Snake around his neck symbolizes the yogic power, which he uses to dissolve and recreate the universe. The Rudraksha necklace worn by the lord shows that he uses his celestial powers without compromise,to maintain law and order. The trishula (trident), symbolizes the Lord's three fundamental powers of will (iccha), action (kriya) and knowledge (gyana).The damaru (drum) and its two sides separated from each other symbolizes the two entirely dissimilar states of existence, invisible and evident.

The bull, Nandi is linked with Shiva and it is considered as his vehicle. The bull symbolizes both power and ignorance. Tiger's skin makes Lord Shiva's clothing and his seat, which illustrates the idea that he is the source of potential energy during the dissolution of the universe. Thus, Lord Shiva is well-regarded as the ultimate organizer of the birth and death in the corporeal world.

Shiva - The Lingam

Story of Shiva Lingam - Why Shiva is worshipped in the Phallic Form
This is an interesting story regarding the worship of Lord Shiva in the phallic form. It is believed that once Brahma and Vishnu, the two deities of the Trinity, got into an argument regarding their supremacy. Lord Brahma declared himself to be more admired, being the creator. While the preserver, Vishnu, pronounced that he commanded more admiration. Just then a huge pillar of fire (lingam), called as Jyotirlinga, appeared in flames, before them. This Lingam enthralled both Brahma and Vishnu, with its hastily increasing size.

With this incident, they forgot their quarrel and decided to find its size. Vishnu took the form of boar and went to the netherworld. Brahma assumed the form of a Swan and flew to the skies. However both of them were unsuccessful in completing the self-assumed tasks. At that time, Shiva appeared out of the lingam and acknowledged that he was the progenitor of both, Brahma and Vishnu. So, he should be worshipped in his phallic (lingam) form, and not in the anthropomorphic form.

Names of Shiva
Lord Shiva is considered as the destroyer of the Universe as per the Hindu Mythology. Shiva is one of the most popular gods of the Hindus. Lord Shiva is a complex god like goddess Kali, being destroyer and restorer at the same time. Shiva is also known as Bhole Shankar, the innocent god, who gets appeased easily. Shiv Shambhu is also recognized as an ascetic, as he resides on Mount Kailash in meditation. God Shiv is worshipped usually in his phallic (Lingam) form. Special Worship of Shiva can be seen during the month of Saawan (July-August) of Hinduism. Lord Shiva is known by many different names. This list contains 108 names of Lord Shiva with their meanings:


Names Meanings
Aashutosh One Who Fulfills Wishes at once
Aja Unborn
Akshayaguna God with Numberless Attributes
Anagha Without Any error
Anantadrishti of Infinite Vision
Augadh One Who Revels All the Time
Avyayaprabhu Everlasting Lord
Bhairav Lord of Terror
Bhalanetra One Who Has an Eye in the Forehead
Bholenath Kind Hearted Lord
Bhooteshwara Lord of Ghosts and Evil Beings
Bhudeva Lord of the Earth
Bhutapala Protector of the Ghosts
Chandrapal Master Of The Moon
Chandraprakash One Who Has Moon As A Crest
Dayalu Compassionate
Devadeva Lord Of The Lords
Dhanadeepa Lord Of Affluence
Dhyanadeep Icon Of Meditation And Concentration
Dhyutidhara Lord Of Radiance
Digambara Ascetic Without Any Clothes
Durjaneeya Difficult To Be Known
Durjaya Unvanquished
Gangadhara God Of River Ganga
Girijapati Husband Of Girija (Parvati)
Gunagrahin Acceptor Of Gunas
Gurudeva Master Of All
Hara Remover Of Sins
Jagadisha Master Of The Universe
Jaradhishamana Redeemer From Afflictions
Jatin One Who Has Knotted Hair
Kailas One Who Bestows Peace
Kailashadhipati Lord Of Mount Kailash
Kailashnath Master Of Mount Kailash
Kamalakshana Lotus-Eyed Lord
Kantha Ever-Radiant
Kapalin One WhoWears A Necklace Of Skulls
Khatvangin One Who Has The Missile (Khatvangin) In His Hand
Kundalin One Who Wears Earrings
Lalataksha One Who Has An Eye In The Forehead
Lingadhyaksha Lord Of The Lingas
Lingaraja Lord Of The Lingas
Lokankara Maker Of The Three Worlds
Lokapal One Who Takes Care Of The World
Mahabuddhi Exceptionally Intelligent
Mahadeva Greatest God
Mahakala Lord Of All Times
Mahamaya Of Great Illusions
Mahamrityunjaya Great Victor Of Death
Mahanidhi Great Storehouse
Mahashaktimaya One Who Has Infinite Powers
Mahayogi Supreme of All Gods
Mahesha The Almighty
Maheshwara Lord of the Lords
Nagabhushana One Who Has Snakes as Ornaments
Nataraja King of the Art of Dancing
Nilakantha Blue Necked Lord
Nityasundara Ever Beautiful
Nrityapriya Lover of Dance
Omkara Originator of OM
Palanhaar One Who Protects Everyone
Parameshwara First among All Gods
Paramjyoti Greatest Splendor
Pashupati Lord of All Living Beings
Pinakin One Who Has a Bow In His Hand
Pranava Originator of the Syllable of OM
Priyabhakta Favorite of the Devotees
Priyadarshana of Loving Vision
Pushkara One Who Gives Nourishment
Pushpalochana One Who Has Eyes like Flowers
Ravilochana Having Sun as the Eye
Rudra the Dreadful
Rudraksha One Who Has Eyes like Rudra
Sadashiva Eternal God
Sanatana Eternal Lord
Sarvacharya Preceptor of All
Sarvashiva Always Chaste
Sarvatapana Scorcher of All
Sarvayoni Source of Everything
Sarveshwara Lord of All Gods
Shambhu One Who Bestows Prosperity
Shankara One Who Gives Happiness
Shiva Always Pure
Shoolin One Who Has a Trident (Trishool)
Shrikantha of Magnificent Neck
Shrutiprakasha Illuminator of the Vedas
Shuddhavigraha One Who Has a Pure Body
Skandaguru Preceptor of Skanda
Someshwara Lord of All Gods
Sukhada Bestower of Happiness
Suprita Well Pleased
Suragana Having Gods As Attendants
Sureshwara Lord Of All Gods
Swayambhu Self-Manifested
Tejaswani One Who Spreads Illumination
Trilochana Three-Eyed Lord
Trilokpati Master of All the Three Worlds
Tripurari Enemy of Tripura
Trishoolin One Who Has a Trident in His Hands
Umapati Husband of Uma (Parvati)
Vachaspati Lord of Speech
Vajrahasta One Who Has a Thunderbolt in His Hands
Varada Granter of Boons
Vedakarta Creator of the Vedas
Veerabhadra Supreme Lord of the Nether World
Vishalaksha Wide-Eyed Lord s
Vishveshwara Lord of the Universe
Vrishavahana One Who Has Bull as His Mount

Agni Purana: The Science of Fighting, Dynasties, and Literature

Dhanurveda

The section on Dhanurveda is on arms and weapons.

There are five types of weapons that are used in war. The first category is that of yantramukta weapons, released from a machine (yantra). This machine may be a launcher or even a bow. The second category is that of panimukta weapons, weapons that are flung by the hand (pani). Examples are spears and stones. The third category is known as muktasandharita. These are weapons that can be flung and also withdrawn. The fourth category consists of weapons like swords that are never released from the hand during battle.

These are known as amukta weapons. And the last category of weapons consists of brute force and strength. This is of use in bouts of wrestling.

The best form of fighting is that with bows and arrows. Next comes fighting with spears, followed by fighting with swords. Wrestling is the worst form of fighting.

Before aiming, the bow (dhanusha) should be held with the arch pointing down towards the earth. The arrow (vana) should be placed against the bow with the head pointing down. The bow should now be raised and the lower end of the bow should be in line with the archer’s navel. The quiver should be at the back. Before releasing the arrow, the bow should be held firm with the left hand and the arrow with the fingers of the right hand. The string of the bow should be pulled back such that the tassel of the arrow is between the archer’s ear and right eye. The body should not be bent when one is releasing an arrow. Nor should on get excited. The archer has to be still as a pillar. The target has to be in line with the left fist and the archer’s posture has to be like that of a triangle. It is best to pull back the string of the bow upto the right ear.

A noose (pasha) is ten arms in length, with both ends of the weapon being circular. The main body of the weapon is made of rope. There are eleven different ways in which a noose may be held. A noose must always be flung with the right hand.

A sword (asi) must hang to the left of the waist. When a sword is to be taken out, the scabbard should be grasped in the left hand and the sword should be taken out with the right hand. There are thirty-two different way in which a sword and a shield may be held.

Property

What happens to a person’s debts when he dies? If he does not have any sons, the person who inherits the property also inherits the debts and had to pay them off. If there is a son, the son pays the debts off. But a woman is not to be held responsible for debts contracted by her husband or her son. Nor is a man responsible for debts contracted by his wife or son. Exceptions are instances where a husband and a wife contract a debt jointly.

If there are no witnesses to a contracted debt but the king feels that the debt was indeed contracted, the king must arrange for the debt to be repaid within a period of sixty-four days. In cases of a dispute, the person who brings a false suit will be punished by the king. And a false witness will be given twice the punishment that is meted out to the one who brings a false suit. A brahmana who bears false witness will be banished from the kingdom. A person who agrees to be a witness, but later withdraws, will be punished eight times as much as the bringer of the false suit. A brahmana who does this will be banished from the kingdom.

It is better that the details of a debt contracted be written down, with the names of the two parties and the witnesses clearly indicated. If the debtor pays in instalments, the details of all such payments must be recorded on the written document. Debts made in the presence of witnesses should also be repaid in the presence of witnesses. If a witness has to take an oath, the oath should be administered after cotton, fire, water or poison has been placed on the head of the witness.

Fire or water can be used to find out if a person is lying or not. If fire is used, seven banyan leaves are placed on the accused’s hand. A red hop lump of iron is then placed on the hand and the accused had to go around a fire seven times. If it is found that the hand has not been burnt, the person has been telling the truth. And if the hand has been burnt, he had been lying. Similarly, an accused person can be immersed in the water and if he does not drown, he has been telling the truth. Alternatively, the accused can be made to drink poison. If the poison does him no harm, he is truthful.

If the father makes a will, the property will be divided amongst the sons in accordance with the provisions of the will. But if all the sons get an equal share of the property, the wife should also be given an equal share, otherwise, the father can leave all his property to the eldest son. The sons and the father obtain equal shares to any property or debt that has been left by the grandfather. But the sons are not necessarily entitled to any property that has not been left by the grandfather, but been earned by father. If a son is born after the property has been divided, he too will be entitled to an equal share of any property left by the grandfather. Daughters are not entitled to property. But sons who have go married will use one-fourth of their inherited property to get their sisters married.


Donating the Puranas

The Agni Purana now describes the benefits of giving alms along with the purans. The puranas are to be donated together with cows. And in talking of the mahapuranas, the Agni Purana also mentions most of their length, in terms of the number of shlokas (couplets) that each has. This is worth stating.

The Brahma Purana - twenty-five thousand
The Padma Purana - twelve thousand
The Vishnu Purana - thirteen thousand
The Vayu Purana - fourteen thousand
The Bhagavata Purana - eighteen thousand
The Narada Purana - twenty-five thousand
The Markandeya Purana - nine thousand
The Agni Purana - twelve thousand
The Brahmavaivarta Purana - eighteen thousand
The Linga Purana - eleven thousand
The Varaha Purana - fourteen thousand
The Skanda Purana - eighty-four thousand
The Vamana Purana - ten thousand
The Kurma purana - eight thousand
The Matsya Purana - thirteen thousand
The Garuda Purana - eight thousand
The Brahmanda Purana - twelve thousand

The only mahapurana which is missing from the above list is the Bhavishya Purana. You now have a pretty good idea of how long the Puranas are. The Skaknda Purana is the longest and the Kurma and Garuda Puranas the shortest. But unfortunately, the numbers in the Agni Purana are not terribly accurate. The Padma Purana has fifty-five thousand couplets and not twelve as stated. The Varaha Purana has twenty-four thousands couplets and not fourteen thousand. The Agni Purana itself has slightly over fifteen thousand couplets land not twelve thousand. But at least you have some approximate idea about the lengths of the various Puranas.

The Brahama Purana is to be given in the month of Vaishakha. The Padma Purana is to be donated in the month of Jyaishtha. The Vishnu Purana is to be donated in the month of Ashada and the Vayu Purana in the month of Shravana. The Bhagavata Purana is to be given in the month of Bhadra, the Narada Purana in the month of Ashvina, the Markandeya Purana in the month of Kartika, the Agni Purana in the month of Margashirsha and the Bhavishya Purana in the month of Pousha. The Brahmavaivarta Purana in the month of Pousha. The Brahmavaivarta Purana is for the month of Magha, the Linga Purana for the month of Falguna and the Varaha Purana for the month of Chaitra.

The Skanda Purana is to be given to brahmanas. The Vamana Purana is to be given in the autumn. The Kurma Purana is to be given together with a golden urn. The Matsya Purana is to be donated together with a golden swan. The Brahmanda Purana is to be given to brahmanas.

Great benefits are also to be derived from hearing the Puranas recited. The reciter has to be given alms and the brahmanas must be given cows, rice and land at the time of the recitation. If one arranges for a recitation of the Puranas, one lives long, stays healthy and attains heaven.

Dynasties (Vamsha)

Brahma was born from Vishnu’s navel. Brahma’s son was Marichi, Marichi’s son Kashyapa and Kakshyapa’s son Vivasvana. From this line was descended Pururava and Pururava’s descendants were the kings of the surya (solar) dynasty.

Brahma also had a son named Atri and Atri had a son named Soma. Soma performed a rajasuya yajna (royal sacrifice). Having performed the sacrifice, Soma became the ruler of all the worlds. This made him very arrogant and he abducted the sage Brihaspati’s wife Tara. This led to a terrible war between the devas and the asuras. Tara was eventually restored to Brihaspati, but Soma and Tara had a son named Budha. From Budha were descended the kings of the chandra (lunar) dynasty.

There were twelve major wars between the devas and the asuras. The first of these was known as the Narasimha War. This took place when Hiranyakashipu was the king of the asuras. Vishnu adopted the form of Narsismha and killed Hiranyakashipu. He then made Prahlada the king of the demons. The second war was the Vamana war and it took place when Vali was the king of the demons. Vishnu adopted the form of a dwarf (vamana) to subjugate the demons. The third war was the Varaha war and this took place when Hiranyaksha was the king of the demons. Vishnu adopted the form of a wild boar (varaha) and killed Hiranyaksha. The fourth war was the Amritamanthana war and this took place over the manthana (churning) of the ocean for amrita (nectar).

The fifth war between the devas and the asuras took place over the abduction of Tara and this came to be known as the Tarakamaya war. The sixth war was known as the Ajivaka War. The seventh war took place when Tripura led the asuras and this was known as the Tripuraghatana war. It was Shiva who killed the demon Tripura in this war. The eighth war, the Andhaka war, took place when Andhaka led the asuras. It was Vishnu who engineered that Andhaka be killed when Andhaka expressed a desire to abduct Shiva’s wife.

The ninth war was known as Vritrasamhara and took place when Vritra led the demons. The tenth war was simply known as Jita. In this war, Vishnu killed Shalva and the other demons, and Parashurama killed the evil kshatriyas. The eleventh war was known as Halahala. An asura named Halahala (poison) had invaded Shiva’s body and flooded it with poison. But Vishnu managed to destroy the demon. In the twelfth war, known as Kolahala, Vishnu destroyed an asura named Kolahala (tumult).

Medicine

Dhanvantari was the physician of the gods and he taught Sushruta the art of ayurveda (medicine). The Agni Purana now describes what the sage Ssushruta had learnt, that is, the treatment for various diseases. This does not simply mean the treatment of human illnesses. There is a section known as vriksha ayurveda, which describes what trees are to be planted where. It describes how a garden is to be constructed and maintained.

The chapters on medicine also describe the treatment of elephants, horses and cattle. The mantras (incantations) which are the remedy for snake poison are also related.

Literature And Grammar

Thereafter, the Agni Purana has many chapters on literature and grammar. It describes the different types of chhanda (metres)that are used in poetry.

Next it discusses the alphabet. There are sixty-four letters (varna) in the alphabet, of which twenty-one are vowels (svara varna). There are three tones (svara) in which the letters of the alphabet may be uttered. Their names are udatta, anudatta and svarita. There are eight places from which the letters may be pronounced. These are the chest, the throat, the head, the back of the tongue, the teeth, the nose, the lips and the palate. Pronunciations should be clear and audible. They should not be nasal and mumbled.

The Agni Purana then discusses the alamkaras (rhetoric) that are used in poetry and plays. Poetry is entirely different from the shastras (sacred texts) and itihasa (history). The sacred texts are full of words and historical texts are full of narrations of incidents that took place. But that does not constitute poetry. Real men are difficult to find on this earth. Amongst these real men, it is difficult to find men who are learned. Amongst the learned men, it is not easy to find some who have a poetic sense. And amongst those who have poetic sense, it is difficult to find a few who can compose poetry. Poetry is impossible without a knowledge of the rules of poetry and even more important, without a sense of feeling.

Sanskrit is the language of the gods. The language of humans is Prakrita. Poetry can be either in Sanskrit or in Prakrita. There are three types of poetry. These are gadya (prose), padya (poetry) or mishra (a mixture of the two). Genuine poetry is, however, only padya

Gadya can be of three types-churnaka, utkalika and vrittagandhi. Churnaka prose is easy on the ears, it has very few compouond words. Utkalika prose is hard on the ears, it is full of compound words. Vrittagandhi prose is some where between churnaka and utkalika.

An epic must always be split up into sections (sarga). It has to be written in Sanskrit, although some mixture of Sanskrit words with Prakrita ones is permissible. The theme of an epic must always be good and historical elements may be introduced if the author so desires.

Literature is useless without the flavour of sentiments (rasa). There are nine sentiments that are used. The first is hasya (humour). The second is karuna rasa (pathos). The third is roudra rasa (that which is wrathful and awe-inspiring). The fourth is vira rasa (heroic themes). The fifth is bhayanaka rasa (horror). The sixth is bibhatsa rasa (vulgar and obscene themes). The seventh is adbhuta rasa (that which is strange). The eighth is shanta rasa (placidity). And the ninth is shringara rasa (amorous themes).

But the sentiments must be used with feeling. Without feeling, all literature becomes mediocre. Particularly in a play, sentiments can be supplemented with skills (kalal). These skills are normally associated with women and there are sixty-four of them. The more important ones are singing, playing musical instruments, dancing, acting, drawing, making garlands, sewing, hairdressing and using magic.

Grammatical rules of sandhi and samasa (rules for forming compound words) are next described. The difference between the two is that in sandhi, the two words that are being joined retain their original senses in the compound word. The case of samasa is different. Sandhi occurs when two varnas (letters) met. Samasa is a condensation or conversion of two or more words into one. Sandhi does not create any new word. Samasa leads to the formation of a third word which refers to something related to but distinct from either or any of the words combined. Pita (yellow) and ambara (cloth) combined by way of sandhi are pronounced pitambara and mean cloth that is yellow. The same two words combined by way of samasa result in the third word pitambara which means “the one dressed in yellow”, that is, Krishna.

There are several possible declensions of words, depending on the vachana and the vibhakti. The vachana refers to the number. Eka-vachana is when there is only one (phalam, a fruit) dvi-vachana when there are two (phale, two fruits) and vahu-vachana when there are more than two (phalani, more than two fruits). There are three genders, pumlinga (masculine), strilinga (feminine) and klivalinga (neuter). Deva, asura, Vishnu are, for example, masculine in gender. Devi, Kalika or maya are feminine. Pushpa (flower) or phala (fruit) are neuter.

There are six karakas (cases) and seven vibhaktis (case-endings). The agent who performs the action indicated by the kriya (verb), is the kartri or doer. To the kartri karaka or Nominative Case, the prathama vibhakti or first case-ending is attached. The object of the action is karma and to the karma karaka or objective Case, the second (dvitiya) case-ending is attached. The means or instruments by which the action is performed takes on the karana karaka or Instrumental Cases and the third (tritiya) case-ending. When a gift is given irrevocably, the recipient takes on the sampradana karaka or Dative Case and the case-ending in question is the fourth (chaturthi). That which is the source of something takes on the apadana karaka or Ablative Case and the fifth (panchami) case-ending. When there is a relation of possessions, the possessor takes on the shashthi vibhakti (sixth case-ending). There is no counterpart of the possessive Case of English grammar because the relation of possession is not directly related to the verb (kriya) and therefore to the doer (karaka). In case of the location in which the action takes place, the karaka is adhikarana (Locative Case) and the case-ending the seventh (saptami).

Agni Purana: Destruction, Yoga, and Knowledge of Brahman

Destruction, Pralaya

 Periodically pralayas (destructions) take place. A destruction comes at the end of four thousand yugas on earth. For a hundred years there are no rains and there is widespread drought. Thereafter, Vishnu uses the rays of the sun to drink and dry up all the waters that there are on earth. Seven different suns appear in the sky and they burn up the three worlds of heaven, the earth and the underworld. The earth becomes as flat as the back of a turtle. The breath of the great snake (Shesha) also serves to burn up the three worlds.

After the three worlds have been burnt up, dark clouds full of thunder and lightning appear in the sky. For a hundred years it continue to rain. The rain puts out the fires that have been raging. From Vishnu’s breath are created tremendous winds and these drive away the clouds. But there is water everywhere. And Vishnu sleeps on these waters. For an entire kalpa he sleeps. The sages then pray to Vishnu for the three worlds to be created yet again.

Yama And Hell

When human beings die, their physical bodies are given up. But they acquire new bodies that are known as ativahika bodies. In these bodies, they are brought to Yama’s abode by Yama’s servants. Living beings other than human are not brought to Yama. Yama then decides whether the dead person should go to heaven or to hell. After he has served his time in heaven or in hell, he is born again. Yama further decides what living being the person should be born as, depending on the actions in his past life. And so the cycle of birth death and rebirth goes on and on.

Since he keeps tally of all good deeds and all sins, Yama is also known as the god Dharma. Those who have done good deeds are rewaraded by Yama and those who have committed sins are punished. Chitragupta is Yama’s accountant, he keeps the account of all punya and papa.

There are twenty-eight circles of hells with many hells located in each circle. A sinner may have to go to more than one hell depending on the sins that he has committed. Some sinners are boiled in oil, others are pierced with spears and still others are whipped. Some sinners are fed heated iron balls, others are fed blood and rubbish. There are also machines for torturing sinners. Terrible birds eat up some sinners. Other sinners have their heads cut off.

When it is time to be reborn, the killer of a brahamana is born as a deer, dog, pig or camel. A drunkard is born as a donkey. A stealer of gold is born as a worm or an insect. A killer of a brahmana may also suffer from tuberculosis. a drunkard will have teeth like a dog and a stealer of gold will malformed nails. A stealer of food is born dumb. A person who has stolen the property of brahmanas is born as a rakshasa and lives alone in the forest. A stealer of fragrant scents is born as a mole. One who steals foodgrains is born as a rat. One who steals animals is born as a goat, one who steals milk as cow, one who steals fruit as monkey and one who steals meat as a vulture. A stealer of clothes is born as a crane and a stealer of salt as a cricket.


Yoga

Yoga is the way to circumvent the miseries of life. True knowledge is that which informs one about the true nature of brahman or paramatman. The atman or jivatman is that which characterises an individual. Yoga means union, it is the union of the jivatman with the paramatman. Yoga concentrates one’s mind on the paramatman.

The first prerequisites of yoga is non-violence. A non-violent person is always righteous. The second requirement of yoga is truthfulness. The third prerequisite is celibacy. The fourth is controlling one’s senses and the last is the worship of god. One who practices yoga should not go around collecting material possessions. A piece of cloth, a covering against the cold, and a pair of sandals are possessions enough for him.

Before meditating on the true nature of the paramatman, one has to seat oneself in a proper asana (posture). The piece of cloth on which one is to sit should be placed in a clean place. One sits on such a seat and tries to purify one’s atman by controlling one’s mind and senses through yoga. The head and the neck should be held straight up, motionless. The point of vision should be directed towards the tip of one’s nose. One should not look in any direction. The arms should lightly rest on the folded thighs and the right hand should be placed, palm upwards, on the left palm. Padmasana (lotus position) is one such recommended posture.

The breath of life (prana vayu) has to be controlled. This process of control is known as pranayama. A finger is placed on the nose when the breath is being exhaled. The entire breath should be exhaled from the body. Since rechana means exhalation, this process of control is known as rechaka. When the breath is inhaled, the inhalation should be such that it fills the entire body. Since puraka literally means ‘that which fills’, this process of control is known as puraka. When the breath is neither being exhaled nor inhaled, one sits completely still like a kumbha (pot) and this is known as kumbhaka. Pranayama makes one healthy, swift, enthusiastic, strong and collected. Since the senses are controlled, one goes to heaven and avoids going to hell. Material pursuits are like the strong current of a river. The atman drowns in it.

Pranayama alone is not enough. It has to be supplemented with dhyana of japa (meditation and contemplation). One contemplates the true nature of the paramatman. The body is like a chariot. The senses are its horses, the mind is the charioteer and pranayama is the bridle. An individual who dies while performing dhyana is immediately assimilated with Vishnu.

Dhyana involve four different things, all of which must be in complete harmony. The first is the meditator, the second is the act of meditating, the third is the object that one is meditating upon and the fourth is the reason why one is performing the mediation. One does not have to; sit in a rigid posture for dhyana to be possible. It can be done while one is walking, sitting or even sleeping. The important aspect is to establish the object of one’s meditation in one’s heart.

There are different ways of establishing one’s concentration. As an object of meditation, one can meditate on three concentric circles which are black, red and white. In the centre of the circles is a divine lotus. The lotus has eight petals. One thinks that detachment is the stem of the lotus and praying to Vishnu its stamen. Right in the centre of the lotus is a pure spark of fire and that is the paramatman. Alternatively, one can visualise the paramatman in a blaze of light, in the centre of the lotus. Dhyana is far far superior to any yajna that one might perform.

One particular form of deep and intense meditation is known as samadhi. The meditator is then completely still, as calm as the ocean. He loses all track of the outside world. He does not hear, smell, see or touch. His mind has no wishes and feels nothing. He is completely united with god. Such a meditator automatically gets to know all the knowledge that can be gleaned from the Vedas or the shastras. He can obtain all the material possessions that he wants, but he regards them all as no more important than a blade of grass.

Such a meditator attains supreme knowledge. If you look at various pots full of water, you will find that the same sky is reflected in them all. Supreme knowledge tells one that, exactly similarly, it is the same atman that is everywhere. It is the atman which is the same as the paramatman, it is this atman that is in the water, in energy, in water, in the earth and in metals. The atman is everywhere.

The Knowledge of The Brahman

Brahma jnana is the knowledge of brahman. This knowledge, which gives the ultimate bliss, is nothing but the sense that the individual atman is identical with the universal brahman or paramtman. The physical body is not the atman. Nor are the senses the atman. The mind or intelligence is not the atman. Life itself is not the atman.

The atman is different from all the objects that have been mentioned above. The atman is in an individual’s heart. It sees everything and senses everything, but is different from the physical body. It is this that sages contemplate when they meditate. The sky was created from the brahman, from the sky came wind, from wind fire, from fire water, from water the earth and from the earth the five elements. One has to meditate on the physical body gradually disappearing and merging into the brahman.

The brahman is neither true nor untrue. It has neither form nor is it without form. The brahman has several parts, but at the same time it is an integral whole. The brahman cannot be described. It cannot be achieved through the power of action. The brahman is always pure. It has no ties and it is the true form of happiness. What is required is the sense that it is I, the individual, who am the brahman. I am nothing but the atman and the atman is nothing but the brahman. This sense is true knowledge. The brahman is the Lord who is the origin of everything and the individual is part of the brahman. It is this knowledge that frees one from the ties of the world and this is what brahman jnana is all about.

The brahman is not the earth; it is beyond the earth. The brahman is not the wind, nor is it the sky. The brahman has no beginning; it is independent of all action. The brahman is huge; it is everywhere. The brahman not only has no form, it is beyond all form. The brahman cannot be heard. It cannot be touched. The brahman has neither intelligence nor mind. It has no sense of ego or vanity. It does not have life, birth, old age or death.

The brahman is neither happy nor unhappy. It does not feel hungry or thirsty. It cannot be measured. At the same time, it is both nothing and everything.

Life has five possible ends. By performing yajnas one can attain heaven. By performing tapasya one can become an ascetic. By performing actions one can attain brahmaloka. By detachment from material pursuits (vairagya) one can merge oneself into nature. And by true knowledge the individual gets absorbed into the divine essence. This is known as kaivalya. Detachment means to withdraw oneself from the effects of all actions. And knowledge means the knowledge that the atman is no different from the brahman. This is known as jnana yoga (the yoga of knowledge).

There are few people who attain this knowledge. One of those was Bharata. Bharata had done a lot he became very attached to a deer and when he died, he died thinking of the deer. The result was that in his next life, Bharata was born as a deer. But the deer happened to be a jatismara, that is, it remembered its earlier life. The deer eventually died and Bharata was again born as jatismara human.

The king of Soubira was once travelling on a palanquin and he wanted someone who would bear his palanquin free of charge. The king’s servants caught hold of Bharata to bear the palanquin. But Bharata moved slowly and could not keep up with the other bearers. The palanquin did not progress and the king asked Bharata. “Why are you so tired? You have not been bearing my palanquin for long. Can’t you some toil? You look fairly strong to me.”

Bharata replied, “I am not strong. Nor am I bearing your palanquin. I am not tired. nor am I lazy. I am my atman and feet are and my body is balanced on my thighs. My shoulders are on my body and your palanquin rests on my shoulders. But I am not my feet, thighs, body or shoulders. I am the atman. The atman is not carrying you. So why do you say that I am beating you?” Bharata then instructed the king on the mysteries of true knowledge. The atman was pure, ever-lasting, calm, without traits and beyond natural characteristics. Since the atman had no traits and since an individual was the atman and not the body, it was meaningless to say that an individual was strong or weak. The physical body was made of the elements and so was the palanquin. What was the point therefore in saying that the physical body was bearing the palanquin?

Heating these words of wisdom, the king fell at Bharata’s feet. “Forgive me,” he said, “and let go of the palanquin, Who are you?”

“Who am I?”, asked Bharata. “That is not a question that can easily be answered.”

The king answered, “I fail to understand. Surely the form in which you are now existing is who you are.”

“No,” said Bharata. “I am the atman and the atman is the same as the paramatman. The paramatman is everywhere and therefore, the atman is also everywhere. I am everywhere. I am in all physical bodies. It is meaningless to ask who you are and who I am. We are all one and the same. Wood has come from the trees and this palanquin is made of wood. But is the palanquin wood or tree? When you ride on the palanquin, does anyone say that you are riding on a tree? Men, women, cows, horses, elephants, birds and trees, these are all meaningless names. They are all illusions. Everything is one and the same. I am everywhere. If there had been a place or an object where I do not exist, I could have everywhere, I do not know how to answer your question. Tell me king, are you your head or your stomach? Or is all of it, you? But then, what will you call that which is distinct from your physical body? Think about what I have said.”

Bharata’s words were so profound that the king immediately accepted Bharata as a teacher. And Bharata told the king the story of Ribhu and Nidagha.

The sage Ribhu was Brahma’s son. He was also extremely learned. Nidagha was Ribu’s disciple. After Ribhu had taught Nidagha what there was to be taught, Nidagha went to the city to see how Nidagha was getting on. Nidagha worshiped his teacher and gave him all sorts of things to eat. After Ribhu had eaten, Nidagha asked him, “Are you satisfied?”

“What do you mean?”, asked Ribhu. “The question of satisfaction would have arisen had I been hungry or thirsty. I am my atman and the atman is always satisfied. So what is the brahman that is omnipresent and so are you. You are not distinct from me, we are both part of the same whole. I came to teach you this knowledge. Now that you have learnt that the brahman is everywhere, let me leave.”

After another thousand years had passed, Ribhu came to the city again and discovered that Nidagha no longer lived in the city. He had begun to live on the outskirts of the city.

“Why have you given up living in the city?”, Ribhu asked Nidagha.

“Because I do not like to live in the city, where there is a king, “ replied Nidagha.

“Who is the king ?”. asked Ribhu. “Point him out to me in this procession that is passing. And point out to me the subjects.”

Nidagha said, “The king is the one who is as tall as a mountain peak. He is the one who is riding the elephant. The ones who are walking are the subjects.”

“What do you mean?”, asked Ribhu. “The brahman is in the king and the brahman is in the elephant. How do you distinguish one from the other, how do you say that one is riding the other? Is the king the physical body or the atman and is the elephant the physical body or the atman? Who is riding on whom? I do not understand.”

This knowledge, that the atman is the same as the brahman, is known as advaita (unified) brahma-jnana. Ribhu taught this to the king of Soubira. This is the knowledge that all elements are one and the same. It is only those who suffer from illusions who think that different elements and different beings have different identities.

The Gita

Krishna had taught Arjuna the lessons of the Gita on the plains of Kurukshetra. The Agni Purana now relates the essence of the Gita.

If physical body is alive, that is no reason for rejoicing. Just as, if the physical body is dead, that is no reason for mourning. The atman does not die. It does not decay, it cannot be destroyed and it is immortal. The atman does not warrant any tears that might be shed over it. people who are addicted to sensual pleasures cannot realise this. The person who is addicted to the atman alone has no desire for anything else. He had no action to perform. He had neither gains nor losses. The knowledge of this is like a raft that rescues one from the flood of illusions.

Agni Purana: Dreams, Omens, and the Instructions of Rama

Dreams

Some dreams are bad omens. In fact, they are nightmares. Examples are: dreams about grass or trees growing on one’s body, dreams in which the dreamer is shaven-headed or is wearing shabby clothes or dreams in which one is falling form above. It is also bad to dream of marriages, singing, the killing of snakes and the killing of chandalas or animals. If you dream that you are drinking oil or eating bird meat, that is also a bad omen. Other examples are: where the dreamer dreams that he is playing with monkeys or chandalas, when he dreams that devas, brahmanas, the king or the guru is angry or when he dreams that his house had collapsed.


Remedies have to be found if one dreams such evil dreams. Brahmanas have to be worshipped, a yajna has to be performed and the dreamer has to pray to Vishnu, Shiva, Brahma, Ganesha or Surya. Dreams dreamt in the first quarter of one’s sleep normally come true over the next one year. Dreams from the second quarter come true over the next six months and dreams from the third quarter over the next three months. Dreams from the last quarter come true over the next fortnight and dreams dreamt right at dawn come true within the next ten days. If one first dreams a good dream and then an evil one, it is the evil dream the will come true. Therefore, if one dreams a good dream, one should not sleep anymore. One should immediately arise.

There are many dreams that are good dreams. For example, dreams that involve mountains, palaces or snakes. Or the dreamer might dream that he is riding on a horse or a bull. It is also good to dream of white flowers in the sky or to see trees in a dream. Especially good dreams are those of the dreamer’s possessing many arms or many heads or of grass and bushes sprouting form his navel. What if you dream of wearing white garlands or clothes? That too is good. If you dream of eclipses of the sun, the moon or the stars, by all means rejoice. And if in a dream you see that you have caught hold of the enemy’s flag, that surely means that you will triumph over the enemy. And if you actually dream of defeating the enemy, the interpretation is clear enough.

Strangely enough, a dream where the dreamer sees that he is eating rice pudding is a good dream. As is the case with dreams of drinking wine or blood. Or even of eating wet meat. A clear sky in a dream is good. Dreaming of milking a cow or a buffalo with one’s own mouth is also good. The dream continues to be a good one if one dreams of milking a lioness or a she-elephant thus. Other dreams which have good interpretations are, for example, dreams of the dreamer’s receiving blessings form devas or brahmanas or of being anointed with water.

The dreamer who dreams of his coronation is blessed. And he is doubly blessed if he dreams that his head has been cut off or that he has died or even that his house has been burnt down. The relatives of such a dreamer increase in number and he also prospers. It is good to dream of musical instruments being played. Or of riding a bull or climbing a tree. Wet clothes, trees laden with fruit and clear blue skies in dreams are especially good.

Omens and Signs

If one is about to go out of the house, one should take care of any bad omens that there might be. Such bad omens are cotton, dried grass, cowdung, coal, molasses, leather, hair, a lunatic, a chandala, a widow, a dead body, ashes, bones and a broken vessel. If one comes across these as one is about to leave, one should not start without pacifying the elements through prayers to Vishnu. The sound of musical instruments is not an auspicious sound at the beginning of a journey. If the means of transport by which one is travelling breaks down, that too, is a bad omen. If weapons break, perhaps you should postpone the journey. The same is the case if an umbrella held over one’s head happens to fall. If one hits one’s head against the lintel of the door as one is about too cross the threshold, prayers are again indicated. And never call back someone who has just left. That is a bad omen and bodes ill for the success of the journey.

There are good omens for a departure and if one sees these good omens, the journey is bound to be successful. Good omens are white flowers, full vessels, meat, distant noises, an old goat, a cow, a horse, an elephant, fire, gold silver, a sword, an umbrella, fruit, clarified butter, curds, a conch shell, sugarcane, the sound of thunder, lightning and a dead body with no one crying over it.

Omens are important even if one is not going on a journey. A peacock crying on the left means that something is going to be stolen. If a donkey brays with a broken voice, that is good omen and something good will happen. If a boar or a buffalo crosses over from the left to the right, that is a good omen. But if they cross over from the right to the left, that is a bad omen. One’s desires will be attained if horses, tigers, lions, cats or donkeys cross over from the right to the left. jackals, moles, lizards, pigs and cuckoos are good omens or the left and monkeys are good omens on the right. If a jackal calls once, twice, thrice or four times, that is a good omen. It is a bad omen if a jackal calls five or six times. It is a very good omen if a jackal calls seven times.

If crows caw on the left of an army, the soldiers will not be able to win. If a crow can be seen near the door a house, this means that there will soon be a guest. A crow looking at the sum with one eye signifies great danger. A crow covered with mud means the attainment of one’s desires. A dog barking inside the house leads to the death of the householders. A person whose left limbs are sniffed by a dog, will attain riches. If the right limbs are sniffed, there will be danger. A dog blocking one’s path signifies theft. A dog with a bone or a rope in its mouth means the loss of property. But it is a good omen to see a dog with meat in its mouth.

Cows mooing irregularly mean threats to the master of the house. If this happens at night, there will be a theft or a death in the house. If the cows have horns that are wet or daubed with mud, that is a good sign for the householders. A cow that plays with cranes or doves is bound to die. A cow that licks its feet is also destined to die. If an elephant strikes its right foot with its left, that is a good sign. Prosperity comes if an elephant rubs its right tusk with its foot.

There is great danger if an umbrella falls just as one is about to leave on a trip. Journeys are to be avoided if the stars are not favourable.

Battle

Once a king decides to go out to battle, seven days are needed for preliminaries. On the first day, Vishnu, Shiva and Ganesha have to be worshipped. On the second day the dikpalas (guardians of all the directions) are worshipped, the Rudras on the third day, the planets and the stars on the fourth day and the two Ashvinis and the rivers on the fifth day. On the sixth day, the king has ceremonial bath in honour of the victory that is to come. And on the seventh day, the king leaves to do battle.

Prior to the marching, the army must always assemble to the east of the capital city. The start of the march must be accompanied with the playing of musical instruments. Once the army has begun to march, it must never look back. After having travelled for a couple of miles, it must stop to rest any pray to the gods and the brahmanas.

The king must never directly fight. Because if the king is killed, the battle is lost. The king must be right behind his army, not too far away from it. An elephant will be guarded by four chariots, a chariot by four horses and a horse by four infantrymen. The infantry will also be at the front of army, followed by archers and then by the horses. The chariots and the elephants come last of all. The cowards in the army must not be in the front, they must be at the back. The front is for the brave soldiers. To the extent possible, one should fight with the sun behind one’s army.

If a soldier dies in the course of battle, he goes straight to heaven. The blood of brave men wash away all sins. To be struck with a weapon is better than to perform many sacrifices. A person who flees form the field of battle performs a sin that is worse than that of killing a brahmana.

The fight should be between equals. Those who are running away should not be killed. Nor should spectators and those who are unarmed be killed. An enemy captured in battle should not be kept imprisoned. He should be released and treated like a son.

Rama's Teachings

Rama had once taught Lakshmana about the duties of a king. The Agni Purana now relates these precepts of Rama’s.

The duties of king are fourfold. Firstly, he has to earn wealth. Secondly, he has to increase it. Thirdly, he has to protect it. And fourthly and finally, he has to donate it. The king must also be polite and politeness comes through the conquering of the senses. The king must be humble. The senses are like mad elephants. If the senses are pampered, like mad elephants, they trample politeness and humility underfoot.

The king must also be non-violent, truthful, clean and forgiving. He should take care to observe all the rituals. He should give food to those who are poor, he should protect those who seek royal protection. He should always use words that are pleasant to hear. The body is here today and gone tomorrow. Stupid is the king who deviates form the path of righteousness to give pleasure to a body that is transient. The curses of unhappy people are enough to bring down a king.

There is only one difference between gods and animals. Gods use pleasant word, while animals use rough words. The king must use pleasant words like a god. And he must use pleasant words not only for those who are his friends or are good, but also for those who are his enemies or are evil. With obeisance the king pleases his guru, with good behaviour the righteous, with duties the gods, with live the servants and with alms those who are inferior.

The kingdom has seven components. These are the king, the ministers, the friends, the treasury, the army, the forts and the state itself. Of these, the most important is the state and it has to be preserved at all costs. The king must be extremely careful in the choice of the ministers and the royal priest. The king must not choose or consult ministers who are stupid.

The king’s signs are his golden rod or sceptre and an umbrella that is held over his head. The umbrella should be made of the feathers of swans, peacocks or cranes, but the feathers of different types of birds should not be mixed in the same umbrella. The throne should be made of wood and should be embellished with gold. A bow can be made of iron, horn or wood. The best bow is one that extends over four armlengths. The king can spend upto one year’s tax revenue on armaments and flags.

The City of Dvaraka, Part 3


                                                                   Dwarkadish Temple 

Krishna's Fight with Salwa


Accompanied by an army consisting of the four kinds of forces so persevering in battle, Krishna set out from Dwaraka. And crossing many countries, and mountains, crowned with trees, and pieces of water, and streams, he at last arrived at the country of Matrikavarta (alias Matika). There, Krishna got the intelligence that Salwa was coursing on his car of precious metals near the ocean. Krishna followed in his pursuit.

Having reached the main force, Salwa on his car of costly metals was in the midst of the deep heaving with billows! Salwa challenged Krishna repeatedly to fight. Many arrows discharged from Krishna's bow didn't reach his car. Salwa began to shoot thousand upon thousands of arrows in torrents! He rained shafts upon soldiers. But without thinking of the shafts, Krishna continued the conflict. As that car of costly metals was in the sky (or in ocean?), a full two miles off, it could not be seen by Krishna's troops. They could therefore only remaining on the field of battle look on like spectators in a place of amusement.

Krishna shot arrows at the car, which penetrated into the bodies of the Danavas. Then there arose cries in the car of precious metals from those that were dying of wounds by those sharp arrows, falling into the waters of the mighty ocean. The Danavas deprived of their arms, necks, and wearing the form of Kavandhas, fell, sending up tremendous roars. And as they fell animals living in the waters of the ocean devoured them.


Seeing his soldiers fall, Salwa began to fight with the help of illusion. Then he began to ceaselessly hurl at Krishna, maces, and ploughshares, and winged darts and lances, and javelins, and battle-axes, and swords and arrows blazing like javelins and thunderbolts, and nooses, and broad swords, and bullets from barrels, and shafts, and axes, and rockets. He began the contest with mountain peaks (large boulders?). Then there was darkness and light alternately, and the day was now fair, and now gloomy, and now hot, and now cold. And there was a perfect shower of coals, and ashes, and weapons. Then the dome of heaven blazed as with a hundred suns, and with one hundred moons, and thousands and ten thousands of stars! And then none could ascertain whether it was day or night, or distinguish the points of the horizon. Becoming bewildered, Krishna fixed on my bowstring the weapon called Pragnastra. Having regained, light, Krishna again fought with the enemy! (3,20)

Salwa gives False Intelligence to Krishna

A certain person, having his home in Dwaraka, quickly coming to Krishna's car, addressed him like a friend, delivering to Him a message from Ahuka. He seemed to be one of Ahuka’s followers. Sadly and in a voice choked in sorrow, he said words: "O warrior, Ahuka, the lord of Dwaraka, hath said these words unto thee! O Krishna, hear what thy father’s friend sayeth: in thy absence today Salwa, coming to Dwaraka, hath by main force killed Vasudeva, your father! Therefore, no need of battle any more. Cease, O Krishna! Do thou defend Dwaraka." (3,21)

Disregarding this false information, though temporarily stunned by it, Krishna continued the fight.

Krishna Slays Salwa and Destroys Saubha City

This last part of the war seems to have been fought in an island in the midst of the ocean, Saubha apparently being a city in that island. Salwa's troops made a shower of boulders at Krishna and His army. Krishna managed to destroy those boulders with a weapon resembling a thunderbolt. Salwa's car was out of His visibility, but Krishna launched his Sudarsana chakra. That weapon cleft Salwa in twain, who in that fierce conflict was at the point of hurling a heavy mace. With its energy, it set the foe ablaze.

After that brave warrior was slain, the disheartened Danava women fled in all directions, exclaiming Oh! and Alas! Taking His chariot in front of the town of Saubha, Krishna cheerfully blew his conch and gladdened the hearts of His friends. Beholding their town, high as the peak of the Meru, with its palaces and gateways utterly destroyed and all ablaze, the Danavas fled in fear. Having thus destroyed the town of Saubha and slain Salwa, Krishna returned to the Anarttas and delighted all His friends. (3,22)

Many historians argue that this foe who fought with Krishna in the sky or ocean was not the Salwa of Mritikavarta. Mritikavara was a city, also known as Matika, Martika, Mritikavati, etc. It was the capital of Salwa Kingdom in Rajasthan, situated to the south-west of Madra Kingdom and to the west of Matsya Kingdom, ruled by King Virata. This Salwa came and attacked Dwaraka, to revenge the death of Sisupala and was vanquished by Pradyumna, the son of Vasudeva Krishna. The other enemy was probably an ally of this King Salwa. King Salwa could have prompted this foe to attack Dwaraka from the sea. Krishna might have got this intelligence when he reached Mritikavarta. Then Krishna urgently reached the ocean surrounding Dwaraka, where He fought this naval war. This enemy is certainly a sea-faring Danava and an Asura, probably belonging to another civilization. They might have launched this attack on Dwaraka, from their island close to the Arabian Peninsula. The name Salwa is linked with Arabia, as far as Kuwait.

Pandya's Enmity towards Dvaraka

Sarangadhwaja was the king of the Pandyas. Vasudeva Krishna invaded his country. All his kinsmen fled and his father was slain by Vasudeva Krishna in battle. Obtaining weapons then from Bhishma and Drona, Bhargava Rama and Kripa, King Sarangadhwaja became, in weapons, the equal of Rukmi and Karna and Arjuna and Krishna. He then desired to destroy the city of Dwaraka and subjugate the whole world. Wise friends, however, from desire of doing him good, counseled him against that course. Giving up all thoughts of revenge, he is now ruling his own dominions. (7,23). He later made friendship with Krishna and allied with the Pandavas in the Kurukshetra War.

Dvaraka Sinks into the Ocean

The account of Dvaraka's sinking into the ocean is found in book 16 of the Mahabharata, the Mausala-parvan.

Day by day strong winds blew. Earthen pots showed cracks or broke from no apparent cause. Society became corrupt. The day of the new moon coincided with the thirteenth (and the fourteenth) lunation. The fourteenth lunation has been made the fifteenth by Rahu once more. Such a day had happened at the time of the great battle of Bharatas. (Kurukshetra War), it has once more appeared. After that war, 36 years had passed. The messengers proclaimed at the command of Vasudeva Krishna that the Vrishnis should make a journey to the seacoast for bathing in the sacred waters of the ocean. (16.2)

The Yadavas, then with their wives, proceeded to Prabhasa and took up residence there, each in the temporary habitation that was assigned to him, and all having an abundance of provisions consisting of edibles and drink. The Vrishnis, mixing with wine the food that had been cooked for high-souled brahmanas, gave it away unto monkeys and apes. Those heroes of fierce energy then began their high revels, of which drinking formed the chief feature at Prabhasa. Then a dispute arose between Satyaki and Kritavarman on the wrongs they did in the Kurukshetra War. This dispute turned into a great massacre, in which all the Yadava heroes were slain. (16.3)

Arjuna arrived at Dwaraka and addressed the chief officers, telling them to prepare to leave Dwaraka within 7 days, as Dwaraka was going to sink into the ocean. Krishna's grandson Vajra was chosen as their King to rule at Indraprastha.

Arjuna then proceeded to the place where the Vrishnis were slaughtered. Searching out the bodies of Bala Rama and Vasudeva Krishna, Arjuna caused them to be burnt by persons skilled in that act. On the seventh day, Arjuna evacuated Dwaraka Island. After all the people had set out, the ocean flooded Dvaraka, which still teemed with wealth of every kind. Whatever portion of the ground was passed over, the ocean immediately flooded it over with his waters. Beholding this wonderful sight, the inhabitants of Dvaraka walked faster and faster. (16.7) The Pandavas, on their last journey before death, saw Dwaraka covered by ocean. (17.1)